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Light like a dramatic expression tool in cinematography
Pavelek, Tomáš ; ŠPELDA, Josef (advisor) ; MACÁK, Jiří (referee)
This thesis focuses on the importance of light as one of the main aspects of filmmaking and as a main tool for creation of atmosphere in cinematography.
I mention some expressive cinematographer's styles in the history of cinematography and how different the work with light was in the context of the era.
I focus on realistic and logical way of work with light and on technical and technological cinematographer's tools
which enable this work and help him to create the light atmospheres and support the script to be perfectly visually translated.
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The evolution of night shooting
Frkal, Tomáš ; MACÁK, Jiří (advisor) ; WEISER, Antonín (referee)
The thesis focuses on the historical development of night shots, which are mainly limited by the technological possibilities. Besides the impact of the digital revolution, the light sensitive cameras and new lightening techniques, it is also a matter of trends. The success of night scenes are determined by the difficult circumstances in the production and the viewers acceptance. Apart from the technological aspects this paper focuses on the different styles of night shots, that have been changing through the decades. The paper starts by describing the physiology of the human eye, continues with the realisation of night shots and finishes with assumptions for the future.
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Director of photography and his objectives
Adam, Daniel ; KOBLOVSKÝ, Petr (advisor) ; MACÁK, Jiří (referee)
The main purpose of this thesis is to focus on methods and potentials of a director of photography when working on a feature. It tries to define cinematographer's tools and approaches in the course of making a fiction film from early pre-production to final postproduction. It contemplates the role of movie photography and how it effects the overall movie quality.
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Imaging styles of American Cameramen in the 1960’s and 70‘s in the 20th century
Chajewski, Jan ; BRABEC, Jaroslav (advisor) ; SMUTNÝ, Vladimír (referee)
An analysis of the changes in style in cinematography during the „New Hollywood“ or „American New Wave“ of the 1960’s and 70‘s is the intent of this thesis. The main context for this analysis is the influence the French New Wave had on American Cinema. We try to look at specific aspects of American visual culture and the progress made in that culture as a result of American cinematographer’s reaction to new cinematic ideas. As a result of new thinking in cinema Hollywood cameramen began making “mistakes” acceptable and using them as visual tools, that their older colleagues where forbidden to use. Bonnie and Clyde was the first widely successful “New Hollywood” film, so in comparison to Jules and Jim, its French equivalent, we can look at the way visual language changed and how differently the same cinematic thought can be brought to life in two very different cinematic cultures.
The main contribution of this thesis is the analysis of the new visual tools that American cameramen brought to world cinema. These tools can be observed when watching almost any audiovisual product made after 1967, when Bonnie and Clyde had its premiere. For future cinematographers the knowledge of the historical context of these visual tools can be beneficial for more informed viewing.
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Cine Reflect Lighting System and its use in films of Michael Haneke
Adam, Stanislav ; FUXJÄGER, Klaus (advisor) ; JÍCHA, Marek (referee)
This bachelor thesis deals with the lighting system Cine Reflect Lighting System and its ability to approach the lighting of a scene in a different manner. First part of this thesis summarizes advantages and disadvantages of mirror systems, which can be helpful for cameramen to choose the right lighting technology for their movie. In the second part of thesis I focus on CRLS usage in Michael Haneke movies, especially in his movie The White Ribbon (2009)
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